Sunday, December 16, 2007

nu musick: Burial

"Once Upon A Time There Was You"

Excerpt from a Burial interview with The Wire .

"I spend a lot of time wandering around London, I always have. Sometimes it’s because I’ve got somewhere to go, sometimes it’s because I haven't got anywhere to go. So I’d be wandering endlessly, getting in places. Being on your own listening to headphones is not a million miles away from being in a club surrounded by people, you let it in, you’re more open to it. Sometimes you get that feeling like a ghost touched your heart, like someone walks with you.

"It's about being on a night bus, or with your mates, walking home across your city on your own late at night, or being in a situation with your girlfriend or boyfriend, or coming back from a club, or putting tunes on an falling asleep. If your well into tunes, your life starts to weave around them.
"

Buy Burial Untrue

Warning: Must listen to with dope headphones
Burial- Archangel
Burial- Raver

Friday, December 14, 2007

nu musik: Track n Field

Connoisieurs of SOUND

Considering how much we love Swedish music, it was only a matter of time before we started border-hopping to the neighboring Scandinavian countries in search of the freshest new sounds. Well, we didn't have to travel very far.

Track n Field are from Helsinki and they claim to have created "the most diverse sound establishment coming out of Finland." The duo is comprised of Roberto Rodriguez and Jukka Kaartinen, both industry veterans with experience in production and DJing. Track n Field's sound is the natural amalgamation of their influences and experiences, infusing downtempo, house, electro, and breakbeat in the hopes of creating music that works just as well in the club as it does on a pair of headphones. I think their music sounds like Simian Mobile Disco on a whole bunch of valium.

Head over to the group's MySpace to hear some tunes (my favorite at the moment is "Iso Maha"). You can purchase their debut album Marathon from Beatport or the iTunes store.

Track n Field MySpace

Thursday, December 13, 2007

gifts: DFA Radio Mixes

"Does Acid Make Me Gay?"

It's no secret that we love the DFA. From the balls-to-the-wall production, to the hypnotic remixes, the DJ sets and all the wonderful artists they've introduced us to over the years (Rapture, Hot Chip, Still Going), it's safe to say that these guys know what's up.

So it should be no surprise that tomorrow night 2/3 of the Bobka crew will make the trip to middle of nowhere Brooklyn for the annual DFA holiday party at Studio B. The last time the DFA threw a party at Studio B was on Halloween. Unfortunately, we were still hurtin' from Dan Deacon's madness the night before. But when the DFA Radio Mix Series posted Tim & Tim's DJ set from Halloween, we vowed never to miss another DFA party. Fortunatly for us, the cats over at the DFA are very generous and they love sharing their lengthy, head spinnin' mixes. They do this by way of the DFA Radio Mix Series which has been consistently sharing mixes from the DFA crew since 2005. If you're ever feeling a bit sick of dancing to "Murder on the Dancefloor" in the mirror, then check out the link below and download some of the DFA goodness. We really like the Murphy sets from Winter 2005, but everything is money.

DFA Radio Mixes

Bullion- Pet Sounds: In The Key of Dee

"I Remember How You Used To Say/ It's Fantastic"

To be perfectly honest I can't believe we haven't posted about this yet, but hey, we're busy doing other stuff like..uh.. Ok there is no "real" reason we haven't sung the praise of Bullion's sample magic, Pet Sounds: In The Key of Dee. As you can tell from the lovely photoshopped album art, this mix pits the effervescent harmonies and orchestrated acid pop of the Beach Boy's Pet Sounds against samples from the late, great J. Dilla's monstrous catalog (RIP). The mastermind behind the ingenious pairing is Acton, England's Bullion, who refuses to let people label ...In the Key of Dee as a mash up. You see, while Bullion has blended samples from Pet Sounds and the Dilla ouevre, he didn't borrow any of Dilla's drums. And the drums on this mix are a thing of beauty. They feel like drums; tight and smooth like ?uestlove and thick like B-More bangers. Making great use of the massive Pet Sounds box set, Bullion boils Brian Wilson's sonic masterpiece into 24:38 of head bobbing hip-hop, cooled out with the Beach Boy's trademark So-Cal surf style. Not just an incredible mix, but also a damn good reminder that no one should be without the Beach Boy's classic and a sampling of Dilla's greatest hits. Download a .zip file of Pet Sounds: In the Key of D down below. As a bonus there's also a link to a tight mix Bullion did for the british website Shhhh, Mixed Up In Love, which features everyone from A Tribe Called Quest to Arthur Russell to J. Davey and, of course, J. Dilla.

Bullion-Pet Sounds: In the Key of Dee
Bullion-Mixed Up In Love

The Bobkast #7: Winter's Night Drive

"I See The Sun Disappear"

Chocolate Bobka Presents...The Bobkast #7: Winter's Night Drive. A narcotic blend of insomniac drone, this mix was inspired by blunted late night drives down snow covered streets and is an attempt at blurring the lines between indie pop, sleek Italo disco, cavernous dubstep, luminary space rock, soulful hip hop and eerie folk. The glue is a psych aesthetic that permeates every track and covers this mix in a stoney haze.

Sleep driving is a habitual act insomniacs practice which transports the restless from the confines of sleeplessness into a calming world of nothingness. In the darkness of the open road one finds himself alone in desolate isolation, post-apocalyptic contemplation. "Is this the end? Am I the only one left? Shall I keep driving? Streetlights flicker and highlight the tar-colored streets, transforming the yellow lines from a mere divider into a bonafide path into the unknown. You follow the yellow lines.

The Bobkast #7: Winter's Night Drive
1. The Chromatics- Telephone Call
2. The Chromatics- Night Drive
3. Bat For Lashes- Whats a Girl to Do
4. Mazzy Star- Fade Into You
5. Bodies of Water- Everybody Hurts
6. The Archivist- Street Light Om
7. Kevin Drew- Big Love
8. Bullion- I Guess I Just Wasn't Made For These Times
9. Burial- Archangel
10. Panda Bear- Ponytail
11. Au Revoir Simone- The Winter Song
12. Beirut- My Night with the Prostitute in Marseilles
13. The Magnetic Fields- When The Open Road is Closing In
14. Joy Division- Love Will Tear us Apart Again (Permanent Mix)
15. Spacemen 3- Walking with Jesus
16. Club 8- Everything Goes
17. Micah P. Hinson & The Opera Circuit- Seems Almost Impossible

The Bobkast #7: Winter's Night Drive {direct link; right click to save}

Tuesday, December 11, 2007

last night: Yo La Tengo & Friends

"First Gear, It's All Rright"


We knew going to see Yo La Tengo during their semi-annual Hanukkah run at Maxwell's would be fun, but not even the most optimistic person in the world would've predicted what a blast last night was. Pre-show I read that Monday nights special guest opener was going to be The New Pornographers. "Shut up!" And when we entered Maxwell's cozy interior it was written in bold on the door. "w/ The New Pornographers." So we had that going for us. Which was nice. Needless to say the Porno's (minus Dan Bejar and Neko Case) were tight, rocking out "My Rights Versus Yours", "Twin Cinemas" and other gems from their fine catalog. While AC Newman kept the power pop alive, I couldn't help but get lost starring at keyboardist and singer Kathryn Calder. The young ivory tickler, who sings many of Neko's parts, was dead on and boy is she a sight for sore eyes. Which reminds me that I really need to pick up her band the Immaculate Machine's latest record ASAP.

While Todd Barry was in the house again, Monday night's mid-show comedy act was Peanut Butter, who came on and did the most bizarre set of beleaguered torture humor I've ever heard. Some of it was unbearable. However, his Mandy Patinkin jokes were pure bliss.

As if that wasn't enough, we still had an entire set of Yo La Tengo to go. Needless to say they crushed it, getting droney and doing the fuzzy Yo La jam-shit and then breaking down into effervescent pop gems like "Mr. Tough" and "Beanbag Chair", both from 2006's wonderful I Am Not Afraid of You and I Will Beat Your Ass. I forgot to mention how stunning Georgia sounded on "I Feel Like Going Home", which is surely my second favorite Georgia song behind "My Little Corner of the World." To finish off the night the band brought on Roy A. Loney, singer of the legendary cult band the Flaming Groovies.

From 12/9/07 at Maxwell's. Night 6 of Hanukkah.

Monday, December 10, 2007

Mort's Best of 2007

"Say Hello to My Little List"

The 3 Best Electronic Releases of 2007 (That You May Not Have Heard About)
GUI BORATTO - Chromophobia [Kompakt]
Brazilian-born Gui Boratto created a trancey tech-house record that is big on rhythmic inventiveness and is characterized by his ability to connect seemingly disjointed sound loops into a warm, cohesive whole.

_
PANTHA DU PRINCE - This Bliss [Dial]
Pantha Du Prince's second LP is an extension of the sound he explored on his first disc: deep house with a narcotic and melancholy edge, with flourishes of beauty seeming to arise out of nowhere. This album begs for a pair of headphones and your undivided attention.

_
THE FIELD - From Here We Go Sublime [Kompakt]
The Field masterfully uses tightly looped samples to create layers of complex sound. The music is a propulsive, ambient drone that simultaneously moves forward while existing in a state of suspended animation.

_ _ _
Honorable Mention
KILN - Dusker
Apparat - Walls
_ _ _
Best Concert
Daft Punk in Brooklyn
French robots atop a neon pyramid... 'nuff said (click the link above to watch some incredible videos)
_ _ _
Best Video
Escort - "All Through the Night"

Muppet disco!!!

Sunday, December 9, 2007

Sunday Brunch: The Lefsetz Letter

Anecdotal Music Industry Newsletter

Bob Lefsetz, Santa Monica-based industry legend, is the author of the 'The Lefsetz Letter'. Lefsetz is known for his real talk as he addresses the issues that are at the core of the music business: downloading, copy protection, pricing and the music itself. If you are even moderately interested in the state of the industry, you NEED to check out Mr. Lefsetz's insights. Mixing humor with the cold, hard truth, the Lefsetz letter is a captivating take on the current state of the industry. Visit his website to read his thoughts online, or go HERE to have them sent directly to your inbox.

Friday, December 7, 2007

we saw: Omega Love

"Take me to your garden of hopes and dreams"

Pittsburgh-based Omega Love describes their sound as "loungecore," and after seeing them last night at John and Peter's, I would have to agree that this is an apt description. Funky, head-bobbin' rhythms mixed with jazzy chord progression and techno-inspired flourishes provide the foundation for sultry lyrics sung by the endearing Jocelyn Gelsler. Imagine the Brazilian Girls mixed with Soulive and the New Deal.

While the music was great, it was agreed that the band was missing the style and stage presence to go along with their sound that would truly set them apart and lead to big things. But who knows, perhaps Omega Love enjoys playing smaller venues as opposed to big, boomy rooms. They definitely are a band that seems more at home in intimate surroundings - their laid back Nu-Jazz sound evokes a comfortable wine bar feel rather than a beer-fueled concrete club. So break out the merlot, light a few candles, check out some tracks below, and peep some tourdates.

Omega Love- Diabolical Genius
Omega Love- The Show (live)

Thursday, December 6, 2007

McG's Favorite Songs of 2k7

"And Take Ya Money!"

For me the summer of 2007 will always be remembered as the three months I spent riding my bike to work throwing my arms in the air like I was firing a sawed off shotgun (Thanks M.I.A). While "Paper Planes" made me nostalgic for Wreckx N Effects, there were certainly some other jams that got me moving, thinking, sleeping and laughing. Here are some of my favorite songs of 2007, many of which we never had chance to write about. But hey, who needs to read when you can just listen. Hasta manana.

Favorite Songs of 2007
Les Savy Fav- Pots & Pans
Grovesnor- Nitemoves
Yeasayer- Sunrise
Beck- Timebomb
Grizzly Bear- He Hit Me
Beirut- Nantes
Taken By Trees- Taken to Young (Tough Alliance Remix)
The Bee's- Left Foot Stepdown
Georgie James- Need Your Needs
Shout Out Louds- You Are Dreaming
Sally Shapiro- He Keeps Me Alive
Muscles- Hey Muscles I Love You
Bishop Allen- Rain
Cat Power- Stuck Inside of Mobile with the Memphis Blues Again
Bodies of Water- Everybody Hurts
Animal Collective- For Reverand Green

Wednesday, December 5, 2007

McG's Best of 2007

"And the Beat Goes On..."

2007. Hmmm, what can I say? Well it was a damn good year for new music and it all started in 2006 with early leaks from The Shins, Of Montreal and LCD Soundsystem, albums which still resonate a year later, which says a lot given our fickle ADD blog-fueled music scene. 2007 will surely be remembered as the year indie went mainstream, with Neon Bible and Wincing the Night Away debuting at #2 on the Billboard charts and Modest Mouse's We Were Dead Before the Ship Even Sank popping in at #1, something I never would have dreamed of listening to "Wild Pack of Family Dogs" in high school. Which goes to show people aren't stupid, when they hear something good they immediately gravitate towards it (ie. Feist).

The year was dominated by French electro (Daft Punk, Justice, Ed Banger Records), Swedish Indie Pop (Jens Lekman, Shout Out Louds, Taken By Trees), the Italo-Disco revival (Glass Candy, The Chromatics, Italians Do It Better Records and Sally Shapiro) and, once again, Brian Wilson's LSD influenced hypnotics and harmonies (Panda Bear, Miracle Fortress).

The blog world blew up the Black Kids, helped Columbia grad's Vampire Weekend score a deal with XL on the strength of a Blue CD-R (and one of the most beautiful 7" singles I've ever seen). Not to mention The Explorers Club getting picked up by Secretly Canadian/JagJaguwar cousin Dead Oceans and Grand Archives, project of former Band of Horses member Mat Brooke, inking with Sub Pop. On those signings alone 2008 is shaping up to be just as action packed as '07, giving us no time to sleep. With that said here are my lists, I hope you enjoy and have a kick ass rest of 2007. Check back tomorrow when I'll have a stocking stuff (aka .zip file) of all the years best songs to keep you sane for the rest of the year.

Artist of the Year
James Murphy/LCD Soundsystem- Not only did President Murphy hit us with the colossal Sound of Silver but 2007 also saw the proper release of his Nike/iTunes collabo, the heart pounding 45:33, which gave birth to one of the best songs of 2007, "Someone Great." ("I'm wishing we could talk about it..."). Murph could've rested on his laurels and just toured with the Arcade Fire and !!!, but no he kept releasing compelling material under the LCD moniker, including the All My Friends EP with covers by Franz Ferdinand and John Cale as well as A Bundle of Stuff EP which features remixes by Soulwax and Carl Craig, among others... And then he & LCD drummer Pat Mahoney went and put together the funkiest, finger pointing collection of head hunting disco I've ever heard. As best said through Chic "I feel your love coming on, like the calm before the storm, your love is out to get me."

Favorite Albums of 2007 (in no order)

Glass Candy- B/E/A/T/B/O/X
Vampire Weekend- Blue CD-R

Favorite Mix (Non Fabric/DJ-Kicks/Radio 1 Essential Mix)
Bullion- Pet Sounds: In the Key of D

Best Podcast
Mad Decent- Can't Forget Dilla

DJ/Producer/Remixer of the Year
XXXchange (of Spank Rock)- Bjork- Earth Intruders remix; Thom Yorke- The Eraser remix; Kid Sister- Control; Kid Sister- Let Me Bang; Spank Rock Fabric.Live 36

Best Demo (three way tie)
Grand Archives
Black Kids
The Explorers Club

Best Concert
Arcade Fire/LCD Soundsystem @ Red Rocks

Best DJ Set
James Murphy @ Hiro Ballroom, CMJ week

Bands I Wish I Had More Time to Absorb
The Acorn
Yeasayer
Burial
Santogold

under the covers: Gustav Holst


English born composer Gustav Holst is best known for his orchestral masterpiece The Planets. Holst, of Latvian and Russian decent, walked this planet from 1874-1934. Holst's catalog of compositions, totaling nearly 200, includes suites, operas, ballets, hymns, and concertos.

Sometimes referred to as "The English 'Rite of Spring'" (a reference to Stravinsky's most famous ballet), The Planets was written by Holst between 1914 and 1916 and is broken down into 7 parts, each one corresponding to a different extra-terrestrial planet (Pluto's short tenure didn't begin for another 15 years).

Holst intended the Planets to act as a series of 'mood pictures':

Mars – Independent, Ambitious, Headstrong
Venus – Awakens Affection and Emotion
Mercury – The ‘Winged Messenger of the Gods’, Resourceful, Adaptable
Jupiter – Brings Abundance, Perseverance

Fast forward 60 years:

In late 1975, Japanese synthesizer pioneer Isao Tomita began reworking Holst's Planets as an electronic suite. Released the following year, the album, aptly named The Tomita Planets, is practically a note-for-note reconstruction of Holst's original work utilizing state-of-the-art synthesizers and electronic manipulations. The impressive part about Tomita's version is that not much of the original suite is compromised in his re-workings. Even so, Tomita is still able to add freshness and imagination.

Isao Tomita - Jupiter - The Bringer of Jollity [from The Tomita Planets]
Gustav Holst - Jupiter - The Bringer of Jollity[from 1981's Berliner Philharmonic; Conductor: Herbert von Karajan]

Tuesday, December 4, 2007

Pimp C (1973-2007)


Details are sparse, but as of early this afternoon tmz.com reports that Houston hip-hop legend Pimp C was found dead in his hotel bed in Los Angeles. Pimp C is best known as one half of UGK, a group he founded with best friend Bun B in 1987.

Pimp C was released from prison less than two years ago after serving 4 years for failing to complete community service after being convicted of aggravated assault. Following his release, Pimp C hit the studio and crafted 2007's Underground Kings, a remarkable 2-CD album that stays surprisingly fresh despite it's length; one of my top ten favorite albums of 2007 and a visceral part of our inaugural Hip-Hop Review.

UGK enjoyed significant success at this year's BET Hip-Hop Awards where their single "International Players Anthem" (feat Outkast) won Best Collaboration as well as Video of the Year (click here for the video).

Those who think they're unfamiliar with Pimp C have undoubtedly heard him on tracks like Jay-Z's "Big Pimpin'", T.I.'s "Front Back", Three 6 Mafia's "Sippin' On Some Syrup" and countless other tracks by artists including Chamilionaire, Too-$hort, Project Pat, Ludacris, Masta-P, and Dizzee Rascal.

Check out some more somber tunes from 2007's Underground Kings below:
UGK - Gravy
UGK - Swisha and Dosha

Hanukkah with Yo La Tengo

"Try to Squeeze a Drop of Blood from a Sugarcube"

Hanukkah starts today and there's no better way to celebrate the eight crazy nights than by spending them with Jersey's finest Yo La Tengo at Maxwells in Hoboken. In what's become a somewhat yearly event Ira, Georgia and James will ring in every night with a different set of music, a different opener and gladly give to a different charity. Unfortunately, if you don't already have tickets you're probably going to have to spend each night with Aunt Ethel and her Matza balls. We'll be at night 7, next Monday December 10th. In recognition of Yo La's metaphoric gelt, check out there video for "Sugarcube", which features members of Mr. Show, including David Cross, and is probably the best music video ever. And yes, we know we say that alot.

Monday, December 3, 2007

coming soon: My Robot Friend

"I let you get inside my heart but you just pass me by"

A colleague asked me the other day, "Where can I get my robot fix now that Daft Punk is done touring?" Well my dear androphiles (made up word?), NYC's own My Robot Friend is here to the rescue (or will be at least, in early-mid 2008). My Robot Friend, aka Howard Rigberg (aka Howard Robot), is near completion on Robot High School, his follow-up to 2006's Dial 0, which featured a cover of Blondie's classic "Rapture" (video found here) as well as the suburb "One More Try" featurng Antony of Antony and the Johnsons (audio below).

According to the official website, My Robot Friend has 8 tracks already in the bag, including the title song "Robot High School" (video below) and tracks like "The Last Time I Did Acid I Went Insane." My Robot Friend is known for his live shows, where he "performs in an elaborate, personally designed light-up suit while interacting with illuminated objects, wireless video cameras, pyrotechnics, and other odd home-made props." The suit includes a penis that shoots out flames of course.

For music video fans the video for "Robot High School" (below) is a must.

For all things robot check out:
My Robot Friend Official Web Site
Robot High School official website
Myspace Page
VIRB Page

My Robot Friend - One More Try (feat Antony) [from 2006's Dial 0]

New Ghostface!

"Tony Starks in the Building"

Warning: This post will be make alot more sense if you peep Mr. Killah's list of names:Ghost Face Killer, Ghostface Killer, Ghostface Killah, Ghostface, Ghost, Tony Starks, Ironman, Ghost Deni, Pretty Toney, P Tone, Paisley Fontaine, Tony Bosley, Clyde Smith, Theodore Deini, Talk of New York Tony, Captain America, Starkey Love and Wally Champ

Damn straight new Ghostface. Hell, it's been nearly a year since Pretty Tone dropped More Fish, a compilation of outtakes and extras from the mind numbing insta-classick Fishscale. This time Tone hits us with The Big Doe Rehab, featuring cameos from a slew of the Wu (Meth, Raekwon, U-God, Masta Killa & Cappadonna), as well as production by The Hitmen, Anthony Acid and Baby Grand. While Wally Clark doesn't sound as hungry as say on Supreme Clientele, and the beats aren't as ripe as the MF Doom, Dilla, Just Blaze bangers unleashed on Fishscale, I'd still take Paisley Fontaine over any rapper any day (Exception: Lil Weezy). Shit, we all know Ironman's "rhymes is like garlic." Peep the bonus cuts from The Big Doe Rehab below, as well as a priceless video of Starkey Love auctioning off one of his prized fitted hats. One.

Ghostface Killah- Killa Lipstick(w/ Method Man & Masta Killa)
Ghostface Killah- Slow Down (w/ Chrisette Michelle)


"Nahmean"

Sunday, December 2, 2007

Sunday Brunch: The Numero Group

"Shame, Shame, Shame, Shame on You"

Founded by three record obsessives in 2003, the Numero Group specializes in releasing obscure soul, lost folk and forgotten disco from around the globe. The concept is simple: salvage lost recordings and release them to the public to general adoration. The label "offers an aesthetic. A shelf of Numero discs feels less like a 'record collection' and more like a library. The library to date is a mix of thrift shop soul, skinny tie pop, Belizean funk, and hillbilly gospel."

This year alone the Group released the baroque pop of English chanteuse Catherine Howe, a lost gem which disappeared before hitting shelves in 1971, a Cult Cargo release Grand Bahama Goombay and four albums worth of Eccentric Soul compilations rediscovering the lost soul of Miami's Deep City, Chicago's Twinight label, unlikely soul capital Columbus, Ohio's Prix records and The ABC's of Kid Soul: Home Schooled, a collection of funky adolescent groove from the early 70's.

While 2007 has surely been a banner year for the Numero Group, one of their best releases is the first in their Cult Cargo series, which explores what happens to blue eyed American soul when it gets in the hands of outsiders. Cult Cargo: The Belize City Boil Up is a heady stew of Caribbean soul infused with reggae rhythms and disco beats. Two of my favorite artists from this compilation are Lord Rhaburn and The Harmonettes, who bring some of the hottest funk the Caribbean has ever seen. Once again soulful disco reggae, get on it.

Lord Rhaburn- Disco Connection
Lord Rhaburn- More Love Reggae
The Harmonettes- Can't Go Halfway
The Harmonettes- Shame Shame Shame

Thursday, November 29, 2007

nu musick: Hot Chip

"Colours and Colours and Colours and Colours"

Who knew if you started talking about Christmas you'd start receiving gifts too?! Well thats just what happened today after we posted The Black Art's video for "Christmas Number One", we stumbled on some new Hot Chip songs at the home of fellow Blog Fresh Radio correspondent Headphone Sex. James at HPSex saw Hot Chip a week ago in England and after the show the group was handing out the Normal 7" with new tunes "So Dope" and "With Each New Day." No word yet as to whether or not these two will be included on the forthcoming Made in the Dark LP, which drops February 5th. While "So Deep" represents the fidget funk Hot Chip's known for, "With Each New Day" finds Alexis channeling his inner Elliot Smith. Not that we'll ever stop listening to The Warning but we're really F'ing excited for February 5th.


Hot Chip- So Dope
Hot Chip-With Each new Day

Christmas Countdown: The Black Arts

"Merry Christmas Dad, Happy Christmas Mum, Merry Christmas Everyone"

Last night the AMG Blog pointed me toward this years new X-mas anthem. The Black Arts, a collaboration between Art Brut's Eddie Argos and Black Box Recorder, are set to deliver their first, and possibly only, release "Christmas Number One" on December 3rd. Sleigh bell dreams and indie rock irony (Argos's forte), with some "other festive stuff" make "Christmas Number One" a very Brut-y stab at a holiday rock ballad, not to mention a perfect fit next to "Christmas in Hollis" in X-Mas Jams collection. The video (above) is a satirical take on video Christmas Card complete with K-Mart blends, cuts and kick ass effects. This songs makes me excited about Christmas alot more than Facebook's "Christmas Countdown" application. Click HERE to pre-order the digital download, available 12/3 and a limited edition, eco-sustainable Green 7" record which drops 12/10.

Wednesday, November 28, 2007

viddyo: Snoop Dogg

"If You Don't Know by Now / Doggy Dogg is a Freak"

Idolator tipped us off to the amazing new video from Snoop Dogg for the track "Sensual Seduction". Featuring warm synth pads, cosmic flute samples, and a Daft Punk-esque house/rap beat, the track is the lead single off of his new album Ego Trippin, which is set to drop sometime in early 2008. And yes, that is Snoop Dogg singing, although the vocals are unfortunately filtered through that annoying T-Pain/Cher voice modulator. As for the video, it is drenched in late 70s/early 80s nostalgia, harkening back to an era when the music was funky, the coke was plentiful, and the beds were, uh, spacecraft.

Tuesday, November 27, 2007

Bangers and Mash: the Arbiters

"Fame, Fame, Fame Fame, Fame"

So you loved Girl Talk's Night Ripper. Then you got sick of it. Truth is, Greg Gillis' schizo wild style while an informative pop encyclopedia, isn't exactly what you want when you want to dance all night long (it's more of a 40 minute freakout). Luckily The Arbiters respect the groove. The Los Angeles based producers, a project of Music Supervision mastermind Thomas Golubic, is a groove based psychedelic mash for the ages from a producer who truly understands the word 'mix.' This isn't your standard Hood Internet slice of indie, dash of hip hop, but rather a comprehensive blend of pop music from the last 40 years. The Arbiters make the best of familiar beats like Buffalo Springfield "For What It's Worth", the Verve's "Bittersweet Symphony" and The Game's "Hate It or Love It", as well as ear catching riffs from Lou Reed and the Rolling Stones to create seamless grooves with poppin' verses from Biggie, Tupac and Lauryn Hill and punchy spikes from David Bowie and M.I.A. If you think mash ups blow, then I'd stake my musical reputation on you thoroughly enjoying the Arbiters mix-ups, as they don't really mash together high irony but truly, and I mean truly, mix together seemingly contradictory moments from the pop music cannon. The final product is meta- in the best way possible.

The Arbiters- Gimme That Love Thing
The Arbiters-Missing Sweet Love
The Arbiters-Papa Was A Crashing
The Arbiters-Sure Side of Fame

Monday, November 26, 2007

good peeps: Jonathan Richman

"He's Stoned/And I'm Straight"

After the New York Football Giants played one of the worst games in the recorded history of man I knew there was only one way to cheer up. That's where Jonathan Richman comes into play. You may have heard us mention Richman's deadpan wit before, or perhaps your familiar with The Modern Lovers from LCD Soundsystem's history of indie chic "Losing My Edge" ("All the Modern Lovers records"), or maybe you've seen Farrelly Brothers classic There's Something About Mary and wondered who that skinny old dude that serenades you with a spanish guitar is. The answer, of course, is Jonathan Richman.

In his teens the Massachusetts native became infatuated with The Velvet Underground and moved to New York in search of all things VU. He found himself penniless and sleeping on the Velvet's managers couch. After an extended stay he moved back to Boston and formed The Modern Lovers with Jerry Harrison (future Talking Head) and David Robinson (of The Cars). Not a bad crew, respectively. The Modern Lovers are most famous as the fore bearers of punk rock's three chord progression, exemplified in classics like "Roadrunner" and "Pablo Picasso."

Richman's lyrics, often whimsical, come from a place so pure that some songs sound as if they could be credited to a Natick kindergarten class ("I'm a Little Dinosaur"). However, it's his simple sing song, often remiscent of 50's boogaloo ("Dodge Veg-o-matic"), that has endeared pop fans for over 35 years.

"Roadrunner Once/ Roadrunner Twice/ I'm in with Love Rock and Roll/ And I'll Be Out All Night"

Jonathan Richman & The Modern Lovers- Roadrunner
Jonathan Richman & The Modern Lovers- Pablo Picasso
Jonathan Richman & The Modern Lovers- I'm a Little Dinosaur

"I Was Dancing at the Lesbian Bar" at the Knitting Factory, NYC

Saturday, November 24, 2007

we love: Junior Boys

"I Think I've Seen You In My Head"

When a friend described the Junior Boys' music as "New Order meets Timbaland" I was so intrigued at what this love-child might sound like, that I immediately walked to the record store to find out more. And as it turns out, that description was pretty on the money: their debut LP Last Exit (released September 04) features the emotive melodies of New Order mixed with the rhythmic complexities of Timbo, and instantly became a favorite; the perfect soundtrack for staring out of a car window on a rainy day. Their sophomore effort, So This Is Goodbye (August 06) is somewhat of a stylistic departure (most notably the drums), but still features the unmistakable Junior Boys sound and themes: electronically-infused melancholy, about longing and lusting.

To get an idea of Junior Boys' style, take a minute to check out Last Exit 's "High Come Down" (streaming below) and the jaw-dropping, fan-made music video for Goodbye's "In the Morning" (above). Learn more about Junior Boys by clicking HERE.

Tuesday, November 20, 2007

Delta Spirit/Blog Fresh

"The Beard That I'm Growing/ Cannot Fully Grow"

The other day I chatted with the kind folks over at Blog Fresh Radio about one of my favorite new bands, Delta Spirit. The ragged hobo spirit blues of their self released Ode to Sunshine would sit well next to a worn out copy of On The Road, an old Hohner harmonica and a rucksack. With that in mind I highly recommend the record, which I've dubbed "Songs for Dharma Bums."

Buy Ode to Sunshine HERE.
Peep Blog Fresh Radio.
And don't forget to fall in love with Delta Spirit.

Friday, November 16, 2007

nu musik: KILN

Ethereal downtempo psychedelia from Ghostly Records

Dusker is the latest offering from Michigan trio KILN and it has been on constant loop on my mp3 player since it was released this past Tuesday -- I seriously cannot stop listening to this album. It is hypnotic, warm, subtle, spacey, and strikingly original. I could go on, but instead I'll let the Ghostly marketing department earn their paychecks.

Ghostly describes Dusker as an...
aural feast on headphones.... Its lush songs [are] packed with flourishes that appear and disappear, cycling, spilling and disintegrating across the stereo field. KILN have a knack for balancing heart rending melodies & progressions against rhythmic forms & textures of incredible depth, making for a richness of sound that may well be instrumental for the sole fact that words could never express as much.
Stream two tracks from Dusker below and then head on over to the Ghostly store where you can download the album for a measly $7. Headphones most definitely recommended.



Daft Punk: ALIVE!

"Television / Rules the Nation"

Last night I suffered one of the most terrifying nightmares of my life: Daft Punk was playing in my town, but no matter how hard I tried, I could not make it to the venue. To the uninitiated, this might not sound like a big deal. But those who are familiar with the spectacle that is Daft Punk Live can understand the horror of my sleep-induced trauma.

And as sad as I am that I did not get to see Daft Punk 'one more time' (pun intended), I am glad that I will be able to partially relive the concert experience when ALIVE 2007 hits the States in early December. Recorded in front of 18,000 screaming Parisians in July, the live disc features a mash-up of the duo's greatest hits, but inexplicably does not come with a DVD. Instead, we must settle for the official music video for the lead single "Harder, Better, Faster, Stronger" (above), which was shot in Brooklyn by the fans and is an excellent representation of the live DP experience. As a bonus, check out the beyond-classic video for "Around the World" off of the Homework LP.

Daft Punk- Around the World

Thursday, November 15, 2007

we love: Muscles- Guns Babes Lemonade

"Hey Muscles, I Love You/I Wanna Have You Babies"

"I'm Dreaming of a Future Clean Disco For the Children"

Buy Muscles Guns Babes Lemonade at Insound. Now.

Muscles-Futurekidz

*****Hit Muscles MySpace for more.

Tuesday, November 13, 2007

And an Angel brought: Ali Farka Toure & Toumani Diabete: In the Heart of the Moon


After Rose Hill Drive threw down in my hood Friday night, I mysteriously woke up hurtin. My neck throbbed from head-banging, my liver hurt from Jimmy Beam and my black t-shirt stank of one too many Marlboro reds. That's when I looked in the mirror, (put my hand up on a cup) and said, "Eek, you need to take a break from being so jacked-up, rock 'n' roll all the time."

Just as I'm about to pull the trigger, a mysterious angel-friend rolls into my apartment. He exhales gently, flops 3 albums on the table and says: "if you only have time for one, make it Ali Farka Toure & Toumani Diabete: In the Heart of the Moon."
Go figure.

So I unknowingly pop it in the noise-machine and… LO! Mine prayers are answered! The electricity dims and the candles light themselves. The Sun passes behind a cloud and, suddenly, everything smells like Aloe Vera and mountain mist.
…But what's that dripping?

The dripping, I soon realize, are the dueling heartstrings of Ali & Toumani, as they transcend tribe and culture to bring a kind of Malian satori to my mid-morning battlefield.

Writes Ali Farka Toure, inside the album jacket:"I am Arma and Toumani is a Griot. I am from the Songrai/Peul culture in the north and he is a Mandé from the south. It's rare that musicians meet like this from different traditions. But there is something that unites us and it is art and culture, which have no borders."

Indeed this recording, released on World Circuit in June of 2005, is distinguished by its chemistry - apparent even to ears as unfamiliar with the genre as my own.
And while their plucking baptizes me in the dancing flames of West-African celebration, I turn to see my visitor's robes trickling out the door.
"Yo, dog! I didn't catch your n---…"

But he was gone. And I've been drinking Tuareg Tea ever since

As I listen to...
Ali Farka Toure & Toumani Diabate- Ai Ga Bani

under the covers: Grizzly Bear

"When I Look In Your Eyes/ With Every Blow/ Comes Another Lie"

Released on Yellow House over 14 months ago, Grizzly Bear's "Knife" is still making waves. And while the song found it's way onto most 2006 "Best of" lists, it's ability to stay fresh in the ADHD minds of the blog-fueled world is nothing short of remarkable. Think about how sick of Peter Bjorn & John's "Young Folks" you were 6 months ago. That said, the fact that Ed Droste & Co.'s "Knife" is still humming around in the minds of the youth is one hell of an accomplishment. And how do we celebrate accomplishment in the post-Clinton era?? Covers. That's right kids, your favorite bands playing each others songs. What a novel idea!

Last week Grizzly Bear released the Friend EP, a collection of new jams, re-workings and killer covers by the likes of CSS, Atlas Sound and Band of Horses. If your keeping score, P4K editor Ryan Schrieber gave Friend a really, really good review. Good enough that Idolator even made fun of him for it. Not gonna lie, the guys got good taste. Anyway, it's been a week since its release so I thought we'd celebrate by posting every "Knife" related song I have. Now sing it with me kids "Can't You Feeeeel the Knife."

Grizzly Bear- Knife
CSS- Knife
Atlas Sound- Knife
Born Ruffians- Knife
Grizzly Bear- Knife (Girl Talk Remix)
Grizzly Bear v. The Knife- Knife/Heartbeats (by Parrka)

Monday, November 12, 2007

The Bobkast #6: Gray Skies, Sinking Suns

With winter comes snow and trees

Despite Global Warming's best efforts, Winter is officially upon us, and this latest installment of The Bobkast was made with the transition of the seasons in mind. And here's another "Inconvenient Truth": you will likely enjoy this mix, despite knowing little about (or being aesthetically opposed to) 'electronic' music. The tracks featured have a somewhat chilly vibe, but still provide enough warmth to get you tappin' your frozen toes and humming along to the melodies, as they come together to create a sound that can best be described as "indie-electronica." So bundle up tight, put on some warm headphones, and pray for a snow day.

Boards Of Canada- Olson
Mobius Band- The Loving Sounds of Static (Junior Boys Remix)
Matthew Dear's Big Hands- Deserter (live)
Matthew Dear- Don And Sherri (Hot Chip Version)
Hot Chip- The Warning
Aphex Twin- Fingerbib
Four Tet- And Then Patterns
Boards Of Canada- Roygbiv
Radiohead- Reckoner
Amon Tobin- Stoney Street
Prefuse 73- Uprock And Invigorate
Mobius Band- 2 Kinds of Light
The Slip- Mr. Meowskers (live)


DOWNLOAD (Right Click, Save Target As)

PS- Lichtenstein painted the piece above.

under the covers: Leonard Cohen

"Cause You Touched Her Perfect Body With Your Mind"

Whether or not you realize it, you know and love Leonard Cohen. No, not the old jewish librarian at your middle school, rather the Canadian poet, novelist and musician who has written and recorded some of the most unabashedly honest pop songs ever to grace the canon. Cohen's most famous piece, "Hallelujah", has been covered by JJ Cale, Rufus Wainwright and Jeff Buckley, and still gives me goose bumps after a couple thousand listens. If your interested in covers of "Hallelujah" My Old Kentucky Blog has an absurd collection here.

One of my favorite Cohen songs of late has been "Suzanne" from Cohen's first record, Songs of Leonard Cohen. Lines like "you know shes half crazy/ but thats why you want to be there" make the tune personal, while Leonard fleshes out the story of "foresaken, almost human" lovers. His imagery is so vivid that you can actually see Suzanne "wearing rags and feathers from Salvation Army counters."

The same afternoon I began revisting Cohen's debut album Aquarium Drunkard (here) posted on iconic Francophile hipster Franciose Hardy. Coincidently, AD pointed out that Francoise covered Cohen's "Suzanne." Compare and contrast below.

Leonard Cohen- Suzanne
Francoise Hardy- Suzanne

Sunday, November 11, 2007

nu musick: The Archivist

"I Look Forward To A Time When We Can Someday Meet Again"

Somewhere between Stephen Merritt and Elliott Smith sits The Archivist, a Milwaukee bedroom musician whose woolen folk often sounds like it was recorded via an ancient walkie-talkie inside a chopper shot down behind enemy lines. At times it's raw, lo-fi aesthetic at its best. However, The Archivist also brings a few synths to the table on the standout track "New Years" which could have been the 70th track on 69 Love Songs. Even his simple, yet universal lyrics are delivered in the same gentle deadpan that won The Magnetic Fields so many broken hearts.
"In ten or twenty years if thats not much too long/I'll try and find you here provided your not gone/ But if you left or if you hide or if you lock yourself somewhere hoping not to be found/ I take it as a sign your well and that you found somebody else with whom you'd be much better off/ I hope I wont be wrong"

If you've been spending endless nights pacing around your bedroom or starring into a half empty glass of red, your in luck as The Archivist has a gift for you. What you might ask? Well it just so happens to be his recently released debut EP "recorded in his bedroom and available for free to anyone with an internet connection." Click HERE to download the whole EP for free, or check out two of my favorites below. For fans of Bon Iver, Sparrow House, Peter and the Wolf, Elliott Smith and general folkie sadness.

The Archivist- New Years(highly rec'd)
The Archivist- Jeremiah (The Archivist)

Friday, November 9, 2007

we love: Delta Spirit

"All You Soul Searching People Come On"

Last night Mort and I headed to Maxwell's (best venue in the metro area) for Dr. Dog. While the Dog show lived up to our exceedingly high expectations, what left us blown away and breathless was the ragged set of jalopy sing-a-longs by opener Delta Spirit. This ramshackle band of soul searching, highway living Kerouacian angels invigorated Washington St. with an angry poet's boiling blood and a coal miner's simple sensibilities. I'm not sure how many times Mort and I turned to each other in amazement but I'm gonna guess around 9. Delta Spirit delivered an impassioned, heart-wrenching set of rock and roll that sounds like it was drummed up by a camp of laborers laying down the Trans-Continental Railroad. At times the songs seemed culled from the majestic "Mermaid Avenue" series, or a punk rock tribute to the Band. This is music for people whose hearts are bigger than their heads. It boils and bleeds and chokes and makes you want to sing from a place deep inside your tummy. I can only liken it to seeing the Arcade Fire at Red Rocks this summer, where everyone seemed to be apart of some cosmic gospel choir. Delta Spirit's recent release, Ode to Sunshine, hasn't left my grasp since the show and I don't think it's going anywhere fast. To quote I Guess I'm Floating "How has this band not been signed yet?" If I had to guess the only reason these guys haven't inked a deal is because they haven't found the right one. I really hope thats the case as Ode to Sunshine has all the makings of a record that stays in your collection for life, only to be picked up by curious kids thirty years down the line and embraced by generations to come. They closed their set with "People, Turn Around" a harmonica blessed acoustic sing-a-long with all the heart and soul of the "I Shall Be Released" from the The Last Waltz. Yeah, this band is that awesome. BUY this album HERE. Peep their Daytrotter session HERE. Did I mention the lead singer played a keg during Dr. Dogs set?!


Delta Spirit- People, Turn Around

Wednesday, November 7, 2007

viddyo: Go G-Hog!

"Helpin' People is Cool"

Are you a young person living in the state of Pennsylvania? Have you considered a career in health services? No!?! Well perhaps this government-sponsored GIANT RAPPING GROUNDHOG will help you change your mind.

Thanks to our friends at Idolator for the tip.

Tuesday, November 6, 2007

viddyo: Aphex Twin

Time to get weird

Who knew that Richard D. James (aka Aphex Twin, AFX, Caustic Window, etc.) was such a player-hater? In this Chris Cunningham (Bjork, Madonna) directed video for Aphex Twin's single "Windowlicker" (1999, Warp Records), James picks up some girls in his ridiculously pimped-out stretch limo, beating out two foul-mouthed playas in the process. The video was meant to be a parody of contemporary American rap music, but in the end, the viewer is mostly left with a taste of James' usual creepiness. (Fast forward to 4:15 to get directly to the music)

The music itself is one of my favorite Aphex Twin tracks, a "smooth yet erratic" tune that exemplifies one James' many, many unique (often bizarre, sometimes disturbing) styles. Oddly enough, the track has been featured in a number of advertisements, including Mercedes-Benz and Nickelodeon. Buy the single at Amazon, or get your download on at Bleep or Beatport.

Sunday, November 4, 2007

Sunday Brunch: You might also like....


So you've listened to Blog Fresh Radio, you've heard McGregor's commentary on Glass Candy, and now you're in love with Glass Candy (which is a good thing). They've got a sound that's unfamiliar but you won't stop until you have more. But where to go from here?

Amazon.com has been recommending music to me for years:

"Customers Who Bought This Item (Glass Candy - Iko) also bought (CSS - Cansei de Ser Sexy)"

Say you've never heard of CSS (I know, bear with me). Now you go to All Music and check them out. You check out the Genre, the Styles, and the Moods (Amiable, Celebratory, and Effervescent...excellent!). You look at the discography and see which albums are recommended with a check mark (none). So maybe you cheat and go to Pitchfork just to check out their number rating (6.0?). After all this research you still have to listen to CSS to know if you really like them or not.

Thanks to Pandora Radio, the whole process has been made a lot easier.

At Pandora, you type in an artist, any artist (I used Glass Candy). Pandora then uses 400 attributes and over 2,000 focal traits to create a radio queue of similar songs. As you listen, you can tell Pandora which tracks you like (or don't like) to further facilitate the selection process.

After typing in Glass Candy, Pandora told me: "To start things off, we'll play a song that exemplifies the musical styles of Glass Candy, which features punk roots, extensive vamping, a vocal-centric aesthetic, repetitive melodic phrasing, and major key tonality." (Sure Pandora, whatever you say...)

Here's the playlist Pandora created for Glass Candy:

Glass Candy - Lovin Machine
Goldfrapp - Number 1
The Knife - Heartbeats
Laika - Starry Night
Cub - Voracious
Gary Numan - Music For Chameleons
Glass Candy - Sugar and Whitebread
New Order - Temptation
Radiohead - Where I End and You Begin

Check it out for yourself:
(Thanks to Emily for the tip)
Pandora Radio

we love: Bon Iver


It didn't take much for me to fall in love with Bon Iver (pronounced: bohn eevair; French for "good winter" and spelled wrong on purpose). Seconds, literally seconds, after hearing him at CMJ I knew I was a very lucky gentleman. Bon Iver is Justin Vernon, who retreated into sylvan isolation last winter and ended up with a hauntingly beautiful companion piece, For Emma, Forever Ago. His music conjures up long lost walks through snow covered forests and the golden glint of an early winter's sun down. It feels like tweed and wool, itchy and warm. For Emma... is full of heartbreak and nostalgic longings and a simple sense of understanding. It's a break-up record, a collection of songs that will remind you of someone long gone and maybe even provide you a bit of much needed clarity. After his mesmerizing set at CMJ I was lucky enough to chat with Justin and grab one of his last handmade copies of For Emma.... Since then it's been passed around, loved, huged, cherished, and listened to non-stop by anyone I've given it to. It is my "FALL" record and it should be yours too. Unfortunately it's all sold out right now and won't be getting the proper treatment until early 2008 when JagJaguwar sets Emma free. In the meantime, you can stream the entire record HERE.


Bon Iver- For Emma
Bon Iver- Skinny Love

Bon Iver "Skinny Love" at CMJ, Bowery Ballroom

Saturday, November 3, 2007

Glass Candy/Blog Fresh/Friendship!


Tuesday the 16th of October was the first day of CMJ and like we've said a few times before (and will do at least once more) we were at the Bowery Ballroom for the Brooklyn Vegan Showcase featuring the Rosebuds, Voxtrot, Shaky Hands, bon Iver, Dean & Britta and the Most Serene Republic (Miracle Fortress was not allowed through the border!). At some point during the evening, after Charles convinced me we need some Patron XO shots, I headed to the bathroom to do what people do in the bathroom. Like any drunk with dancing feet, I had late night on my mind and knew where I was headed...James Murphy at Hiro. Problem was I couldn't remember where the hell the Hiro Ballroom was. Luckily there was a line at the dude's bathroom to ask some peeps. I politely asked the guy in front of me who said "14th between 1st and 2nd." "Thanks alot man, 'preciate it." Tap tap on the shoulder from the guy behind me. "Actually it's 16th between 8th and 9th." I got real lucky he overheard me getting bunk info. A few minutes later I spotted the fellow with the correct address at the bar and had the bartender send him a drink on the Bobka. It was then, after a few minutes of geek rock talk, that I discovered the aforementioned corrector of bad addresses was Bill, the man in charge of Blog Fresh Radio since Ms. Alex went back to grad school.
Long story short, last week Bill gave me a shout and had me spit some ish for the latest edition of Blog Fresh Radio, which as you know is pretty much the best 45 minutes of each week (truth). We chatted about Glass Candy. You can hear all this nonsense HERE.

Glass Candy
Brooklyn Vegan

Friday, November 2, 2007

Debut of Sufjan's ode to the BQE

"Lift Up Your Weary Heads"

Last night thanks to two super sweet friends I was able to attend the world premiere of Sufjan Stevens "The BQE" at the Brooklyn Academy of Music. The 30 minute orchestral piece on the infamous roadway took Sufjan 9 months to complete and boy was it sweet. BAM's description of last nights event:
The BQE—a 30 minute symphonic and cinematic exploration of New York City’s infamous Brooklyn-Queens Expressway, the 11.7-mile roadway championed by Robert Moses and constructed beginning in the late 1930s.
Merging a virtual road trip (shot in 16mm film and Super 8) with an orchestral ensemble— accompanied by hula hoopers—The BQE uncovers abstract musical patterns in the snaking traffic, stunning city views, potholed pavement, billboards, historic landmarks, and badly marked exits. The evenings will also feature new songs by Stevens and orchestrated selections
from his previous albums.

The evening started with swirling arrangements from Sufjan, band, his orchestra, and a few happy go lucky performance artists in uniforms and goofy blonde wigs tossing and twirling and spinning neon hula hoops. All this was accompanied by hyper-speed video footage of the Brooklyn Queens Expressway fused with the music. Needless to say the crowd was smiling and chatty at intermission and no one could stop talking about the hula hoops (which were on sale in the lobby). While it was indeed exciting to be apart of the world premier of one of my favorite musicians new pieces, the real treat was the second act which saw Sufjan & Co. (including massive orchestra) "playing the hits", including songs from Seven Swans, Illinois, Michigan and last year's one off "Majesty Songbird." In all honesty it was one of the most beautiful hybrids of music, art, light, hula hoops I've ever seen. If you're lucky enough to have a ticket for tonight or tomorrow, hold it close to your heart. You're in for a treat. Take a peak at the digital version of the program, including Sufjan's phenomenal essay on the BQE and Hula Hoops, as well as a clip from one of last weeks rehearsals.

BAM's BQE Program with Sufjan essay

A Rehearsal of Movement 6 from the BQE

Panda Bear: "Comfy In Nautica"

"Try to Remember Always / Just to Have a Good Time"

Panda Bear's critically-acclaimed Person Pitch is bound to end up on pretty much every "best of" list at year's end, and with good reason. His "Wilson-esque" indie-psychedelia is full of inventive sound collages and complex vocal harmonies, creating a vibe that is uplifting, mesmerizing, original, and above all, enjoyable. Check out the warm and fuzzy, skater-friendly video for the latest single "Comfy in Nautica" above.

And for those of you trying to figure out a way to put Panda Bear on your next Saturday night jamzz playlist without interrupting the flow of booty-shakin' dance beats, we also present you with the fantastic B-More Club remix of "Comfy", courtesy of Devlin from the Spank Rock crew.

Panda Bear- Comfy In Nautica (Mr. Devlin's Jamaica Plain Humpbacks Remix) [thanks to GvsB for the rip]

(PS- The remix was originally featured in a mix Devlin put together for our friends over at Discobelle in July. Check that out HERE)

Thursday, November 1, 2007

How We Spent Our Halloween

"We Came to Get Down"

While you kids were out TP'ing the Jones' front yard and egging the Thompson's house, we were raging the New York Magazine Halloween party at the Judson Church featuring White Williams, Kudu, Chromeo and the man himself, Dan Deacon. Lots of slime and an Open bar! Tough to beat. Hope everyone enjoyed the day of the dead.