"I Won't Make It To 25"
(photos: craig loschmann)By now you've probably heard a
bevy of remarks about
Wavves show on the Pitchfork Stage at Primavera Sound. As one who was at the show, up close, and was really enjoying myself, I was sort of shocked to hear about the supposed "meltdown", et all. I may have gotten to the stage right after the awkward sound check/ intro, so maybe I missed the bizarre tone that was set, but I actually thought that Nathan Williams put on the best show I've seen him play so far, which include an early day show at a bar on 110th St and a party in a smokey warehouse in Greenpoint. Photographer Craig Loschmann, who hadn't seen nor heard Wavves before, actually thought it was one of the funnest, best sets of the festival. Maybe we completely missed something, but isn't this exactly what a Wavves show is supposed to be like– drug fueled, failing, teetering on the edge of insanity, a breakdown, barely, if at all, holding it together, and sort of letting it all unravel over the course of, I don't know, say, twenty minutes. After all, it's what makes it a Wavves show. Skate dick punk snarl, too many drugs, a bandmate stuck in the "WTF?!", a crowd who, seemingly, was having equal fun cheering and jeering, and a prominent, often pretentious music magazine using their built-up hype to drive hits– sorta sounds like a weak version of some Rolling Stone exploited Guns N' Roses tour doc. Whatever it was, I think its safe to say that I now like Wavves about 100x more than I did before, which is rather significant considering I wasn't all too excited to hear/see him play after the Top Shop show at the Shank.
Chris + John from Girls during Spiritualized.
John from Girls + golden pom pom girl during "Walk With Jesus."
Vivian Girls on the Pitchfork Stage. "My Baby Wants Me Dead."
Drummer from Girls leaving Vivian Girls
Richard D. James, aka Aphex Twin, murdering the crowd post- MBV.
Dan Deacon clearing the floor late-night.
Dan Deacon Ensemble member, in red M&M costume(?), instructing the crowd.
