"Wanna Do Some Dancing Too"
If you've ever been to this site before than this clip should need no introduction. Girls will release a 7" for "Hellhole Ratrace" b/w "Solitude" sometime in the near future on True Panther Sounds. They've also completed work on their debut full length, which, hopefully, will come out by the end of the year on True Panther (?). In addition, Girls will be in NYC next week for a shows at the Mercury Lounge, Cake Shop, and a slot on one of the best bills of the year; Monster Island Basement with Real Estate, Beach Fossils, and Kurt Vile & The Violators. Hell fucking yeah.
Check out my Polaroids of Girls from Primavera, as well as a live review of their stellar set from the festival.
Showing posts with label primavera sound festival. Show all posts
Showing posts with label primavera sound festival. Show all posts
Thursday, June 18, 2009
Wednesday, June 10, 2009
mp3: Dan Deacon at Primavera Sound
"I Got A Rattle Snake Gun"
Admittedly, I'm not a big Dan Deacon fan. Spiderman of the Rings had some choice schizo-freak-out jams but didn't seem to garner repeat listens. I saw Mr. Deacon once a few years back at the Judson Church on Mischief Night, part of a NY Mag scavenger hunt-slash-costume party-open bar, which, for better or worse, also included Chromeo (meh). That night was fun, but I sort-of figured I'd had my "Dan Deacon Experience." That said, Wham City's Mayor had his way with the late-night crowd at Primavera Sound. Not only did he clear the floor, start a "dance off" and provide constant dance-move instruction, but he also managed to conduct a fifteen person ensemble. The ensemble is tight, and I mean tight like a husky dude wearing girls jeans tight, and provided a much needed depth to Deacon's electronics work, which, on its own, just isn't as powerful as fifteen musicians banging away. Fortunately for those not in attendance, the fine folks at WFMU recorded the show and are now hosting it on their recently launched Free Music Archive. Snag it here.
Admittedly, I'm not a big Dan Deacon fan. Spiderman of the Rings had some choice schizo-freak-out jams but didn't seem to garner repeat listens. I saw Mr. Deacon once a few years back at the Judson Church on Mischief Night, part of a NY Mag scavenger hunt-slash-costume party-open bar, which, for better or worse, also included Chromeo (meh). That night was fun, but I sort-of figured I'd had my "Dan Deacon Experience." That said, Wham City's Mayor had his way with the late-night crowd at Primavera Sound. Not only did he clear the floor, start a "dance off" and provide constant dance-move instruction, but he also managed to conduct a fifteen person ensemble. The ensemble is tight, and I mean tight like a husky dude wearing girls jeans tight, and provided a much needed depth to Deacon's electronics work, which, on its own, just isn't as powerful as fifteen musicians banging away. Fortunately for those not in attendance, the fine folks at WFMU recorded the show and are now hosting it on their recently launched Free Music Archive. Snag it here.
Monday, June 8, 2009
pics: Polaroids from Primavera Sound
"I'll Tell The World"
Chris + John from Girls during Spiritualized.
John from Girls + golden pom pom girl during "Walk With Jesus."
Vivian Girls on the Pitchfork Stage. "My Baby Wants Me Dead."
Drummer from Girls leaving Vivian Girls
Richard D. James, aka Aphex Twin, murdering the crowd post- MBV.
Dan Deacon clearing the floor late-night.
Dan Deacon Ensemble member, in red M&M costume(?), instructing the crowd.
Chris + John from Girls during Spiritualized.
John from Girls + golden pom pom girl during "Walk With Jesus."
Vivian Girls on the Pitchfork Stage. "My Baby Wants Me Dead."
Drummer from Girls leaving Vivian Girls
Richard D. James, aka Aphex Twin, murdering the crowd post- MBV.
Dan Deacon clearing the floor late-night.
Dan Deacon Ensemble member, in red M&M costume(?), instructing the crowd.
Wednesday, June 3, 2009
live: WAVVES at Primavera Sound
"I Won't Make It To 25"
(photos: craig loschmann)
By now you've probably heard a bevy of remarks about Wavves show on the Pitchfork Stage at Primavera Sound. As one who was at the show, up close, and was really enjoying myself, I was sort of shocked to hear about the supposed "meltdown", et all. I may have gotten to the stage right after the awkward sound check/ intro, so maybe I missed the bizarre tone that was set, but I actually thought that Nathan Williams put on the best show I've seen him play so far, which include an early day show at a bar on 110th St and a party in a smokey warehouse in Greenpoint. Photographer Craig Loschmann, who hadn't seen nor heard Wavves before, actually thought it was one of the funnest, best sets of the festival. Maybe we completely missed something, but isn't this exactly what a Wavves show is supposed to be like– drug fueled, failing, teetering on the edge of insanity, a breakdown, barely, if at all, holding it together, and sort of letting it all unravel over the course of, I don't know, say, twenty minutes. After all, it's what makes it a Wavves show. Skate dick punk snarl, too many drugs, a bandmate stuck in the "WTF?!", a crowd who, seemingly, was having equal fun cheering and jeering, and a prominent, often pretentious music magazine using their built-up hype to drive hits– sorta sounds like a weak version of some Rolling Stone exploited Guns N' Roses tour doc. Whatever it was, I think its safe to say that I now like Wavves about 100x more than I did before, which is rather significant considering I wasn't all too excited to hear/see him play after the Top Shop show at the Shank.
(photos: craig loschmann)By now you've probably heard a bevy of remarks about Wavves show on the Pitchfork Stage at Primavera Sound. As one who was at the show, up close, and was really enjoying myself, I was sort of shocked to hear about the supposed "meltdown", et all. I may have gotten to the stage right after the awkward sound check/ intro, so maybe I missed the bizarre tone that was set, but I actually thought that Nathan Williams put on the best show I've seen him play so far, which include an early day show at a bar on 110th St and a party in a smokey warehouse in Greenpoint. Photographer Craig Loschmann, who hadn't seen nor heard Wavves before, actually thought it was one of the funnest, best sets of the festival. Maybe we completely missed something, but isn't this exactly what a Wavves show is supposed to be like– drug fueled, failing, teetering on the edge of insanity, a breakdown, barely, if at all, holding it together, and sort of letting it all unravel over the course of, I don't know, say, twenty minutes. After all, it's what makes it a Wavves show. Skate dick punk snarl, too many drugs, a bandmate stuck in the "WTF?!", a crowd who, seemingly, was having equal fun cheering and jeering, and a prominent, often pretentious music magazine using their built-up hype to drive hits– sorta sounds like a weak version of some Rolling Stone exploited Guns N' Roses tour doc. Whatever it was, I think its safe to say that I now like Wavves about 100x more than I did before, which is rather significant considering I wasn't all too excited to hear/see him play after the Top Shop show at the Shank.
Tuesday, June 2, 2009
live: Bat for Lashes at Primavera Sound
"I Will Rise"
(photos: craig loschmann)
Like a cobra rising from an earn, Natashia Khan, aka Bat For Lashes, slivers around stage with a presence so captivating one may forget to blink. Fur and Gold was a truly wondrous record, creeping with neo-psychedelia and soul noir, like the soundtrack to a speakeasy murder mystery, best exemplified by "Trophy" and "What's A Girl To Do?", whose video is a beast in and of itself. But "Glass", the first single from Two Suns and the opener of her main stage set at Primavera, finds Khan channeling ancient Mysticism, which Wiki defines as, the "pursuit of communion with, identity with, or conscious awareness of an ultimate reality, divinity, spiritual truth, or God through direct experience, intuition, or insight." Basically, see her soon while she's still playing relatively small rooms. It won't be like that for long.
(photos: craig loschmann)Like a cobra rising from an earn, Natashia Khan, aka Bat For Lashes, slivers around stage with a presence so captivating one may forget to blink. Fur and Gold was a truly wondrous record, creeping with neo-psychedelia and soul noir, like the soundtrack to a speakeasy murder mystery, best exemplified by "Trophy" and "What's A Girl To Do?", whose video is a beast in and of itself. But "Glass", the first single from Two Suns and the opener of her main stage set at Primavera, finds Khan channeling ancient Mysticism, which Wiki defines as, the "pursuit of communion with, identity with, or conscious awareness of an ultimate reality, divinity, spiritual truth, or God through direct experience, intuition, or insight." Basically, see her soon while she's still playing relatively small rooms. It won't be like that for long.
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